You’ve heard complaints that some group of people have been written out of history, and maybe you thought, Okay, they haven’t been mentioned, but the process couldn’t have possibly been so deliberate, could it? These things just happen.
It’s true (and I, of course, am in a position to sort the true from the untrue) that once a group’s been erased, it doesn’t take much effort to keep them invisible. Inertia takes over. But at the start? As it happens, we have a ringside seat just now, and we can watch the process play out in real time. And guess what: those first steps look pretty deliberate.
The story we’re following is happening in the Netherlands, at the American Cemetery in Margraten, the burial ground of some 8,000 US soldiers who died fighting the Nazis. Of those, 174 are African-American. Unless they were African-American. I can’t figure out if a person’s ethnicity dies with them and slips into the past tense or if it outlives them.
The cemetery also memorializes another 1,700 soldiers who were listed as missing. That’s probably irrelevant and as far as I know they have no ethnicity. It got lost too.

Irrelevant photo: a fougou–a Cornish, Iron Age tunnel, open at both ends, with dry stone walls. No idea what the purpose was and the explanations I’ve read–to store things or to use as a refuge–make no sense at all, given that they’re open at both ends. All I know is that they took one hell of a lot of work.
The disappearance
The site’s run by a US government agency, the American Battle Monuments Commission, and its visitor center recently took down two panels commemorating African-American soldiers. One memorialized George H. Pruitt, a 23-year-old telephone engineer who died trying to rescue a fellow soldier. The second was about the US military’s policy of segregation, which continued until 1948–and for anyone who’s young enough that the 20th century all looks the same, that was several hands of poker after the war ended.
You’re welcome.
What happened to the panels? Pruitt’s, the commission says, is “currently off display, though not out of rotation.” In other words, it might come back. No promises as to which century it’ll be when that happens. And the other one? It’s on the naughty step until it apologizes to President Trump, stops insisting on all the diversity and inclusion nonsense, and proves that it took the approved position on releasing the Epstein files, whichever that is this week.
The commission says 4 of its 15 panels “currently feature African American service members buried at the cemetery,” but a journalist who visited the site couldn’t find them.
Local involvement
Generations of local people have adopted individual graves in the cemetery, tending them, leaving flowers, telling their adopted soldier’s story, saying a prayer if they’re the praying sort, building a relationship with the soldier’s surviving family. It’s been a way to keep alive the history of the Nazi occupation and to express gratitude to the country’s liberators. And those people aren’t happy with the way their history’s being edited just now. Local politicians, historians, and plain old people are calling for the panels to be put back. The mayor’s written the commission, asking it to “reconsider the removal of the displays” and give the stories of Black American soldiers “permanent attention in the visitor center.”
Last I heard (and of course I’d be the first person they’d tell), there’s been no response.
To be fair, the commission hasn’t started selling Nazi-flavored bubble gum and probably won’t, but shoving an ethnic group out of the public sphere has a slight flavor of the Nazis’ early moves against the Jews. If you chew on it for a while, it leaves a nasty aftertaste.
Does it matter?
Well, for starters, segregation within the military is woven into a central strand of US history that reaches from slavery through the Abolitionist movement, the Civil War, segregation, the Civil Rights movement, and the Black Lives Matter movement, with pieces left out along the way for the sake of brevity.
But more than that, Black soldiers aren’t being disappeared because they played such a small part that they had no effect. The act of disappearing them speaks to how much they matter: they get in the way of history being all white, just as the disappearance of women’s history and the accomplishments of individual women speak to how much they interfere with history being all male. They mess with a comfortable narrative. Take them away and you make the human story less complex, less contradictory, less honest, and more comfortable for people who used to complain that all this diversity and equality stuff took away their freedom to shut other people up and push them off the world stage.
This is about who’s going to be allowed into the picture.
At the back of my head, I hear someone reminding me that I was all for taking down the statues of slave traders and Confederate generals. How, that voice asks, is this different?
It’s different because those were monuments honoring deeply dishonorable people. Want to put up a panel discussing their legacy? As long as it’s honest, I have no problem with it. But I’m not much for monuments anyway, even the ones that honor people who did honorable things. The process of turning them into heroes falsifies them and asks us to accept a lie. Leave it up to me and I’ll skip the statues altogether.
Hang on, though: isn’t this blog supposed to be about England?
It is, but sometimes I cheat. Last week’s blog was about the Black British soldiers who fought in the Napoleonic Wars, people who’d been invisible and are only recently being reclaimed for history, so the process of writing people out of history is on my mind. And I’m American, at least originally. I’ve lived in Britain for almost 20 years, but the U.S. formed my thinking, my assumptions, my accent, and you may have noticed, my spelling. And since the US has invested heavily in the business of erasing history lately– Yeah, I can’t pass up a chance to write about this. It’ll piss off all the right people in the unlikely event that they happen to read it.
The English connection
I can connect this to England, though, by way of statues:
In Glasgow, a statue of the Duke of Wellington (looking heroic, of course) traditionally wears a traffic cone on his head. In fact, if this particular link doesn’t just have a picture of the statue and the traffic cone but also one where he’s wearing two traffic cones and his horse has a couple of its own.
The traffic cone isn’t traditional the way wearing a kilt is traditional, but traditional in the sense that since the 1980s members of the public have replaced the traffic cone every time some representative of sensible governance has it taken expensively down. Over the years, cones have worn a Covid mask, the European Union flag; and the Scottish flag, and so forth. The tradition calls to the creative spark in us all the way a school desk calls to a wad of used chewing gum.
Now, the cone has been replaced by a statue of a pigeon wearing its own, smaller traffic cone. And reading a newspaper. It’s believed to be the work of Rebel Bear, a street artist known as the Scottish Banksy. He–assuming he is a he; I haven’t a clue but it’s what the newspaper said–posted a picture of the pigeon on social media, saying:
“The dignified and undignified of beasts. Located: well, youse know where.”
I would dearly love to show you a photo but, you know, copyright and all that. Follow the link.
That takes us to Scotland, though, which you may notice isn’t England, but with Wellington I can move us south of the border. He was born in Ireland–still not England but bear with me; I’ll get there–and he fought in the Napoleonic Wars, came home a hero, and most significantly of all had a boot named after him. His Wellington boots did touch Scottish soil, which is probably what justifies the Glasgow statute. More to the point, though, he became the Duke of Wellington, which gave him a connection to Somerset, England.
You know I’d get there eventually, didn’t you?
