The Monmouth Rebellion and the king who wasn’t

If you tied a knot in the thread of English history every time somebody led a rebellion, you’d make a mess of your sewing. So let’s skip the knots–they weren’t my best idea–and talk about the Monmouth Rebellion, which was led by (no points for guessing this one) Monmouth, the Duke of.

Okay, half a point if you got the Duke part right.

Like everything else of its time (1685) and place (England), the rebellion only makes sense when you paint in the background: the wrestling match between Catholics, Protestants, and super-Protestants for the soul–and more importantly, the throne–of England. 

Can a wrestling match have three contestants or does that make it a free-for-all? Does a contest involving three people take place between them or among them? Does anyone care about the answers to these questions?

Probably not. 

Irrelevant photo: mountain ash berries. Fall is coming. Or autumn , if we’re speaking British.

We’ll start our tale in (for no good reason) the present tense at a time when King Nobody (the first and last of that name) wears England’s crown. Cromwell and some of the super-Protestants are in power. The last king’s dead. The country’s kingless. The super-Protestants lack superpowers, though. They get their name (from me; no one else calls them that) because they’re further along the Protestant spectrum than the more moderate Church of England Protestants. 

That lack of superpowers explains why–

But I’m getting ahead of our story. Cromwell’s in power and Charles II, son of the now-beheaded Charles I, is in exile. 

 

What does Charles get up to while he’s in exile?

Some regal hanky-panky, and the fairly predictable result of that is a son, James.

Time rolls on, as time will. Everybody involved gets older. Cromwell dies. The super-Protestants don’t find a way to continue a kingless government. (See above: lack of superpowers.) Charles comes back to England as king, becoming Charles II. If you’ve seen portraits of the Charleses, he’s the one who looks like an aging and particularly dissolute Bob Dylan. The thought of anyone being or ever having been in bed with him–

No, let’s put that out of our minds.

Charles may be the king, but he doesn’t have superpowers either. All around him are forces pushing to lock the Church of England into place and edge both Catholics and nonconforming Protestants to the furthest corners of the national picture.

It’s in this context that he flirts dangerously with both Catholicism and Europe’s Catholic powers, and it’s also in this context that he and his wife fail to produce–forget a son, they don’t have any kids at all. So his brother is next in line for the throne and he’s–gasp, wheeze–a Catholic convert.

It’s easy to think this is all intolerant and silly, but the country has just emerged from a time when people killed each other in the name of religion, and even now, when things have settled down a bit, which religion you’d committed to decides what earthly doors are open or closed to you. So everyone has solid material reasons not to want Those People from the Other Religion(s) in power. 

That’s in addition to whatever religious reasons they have.

 

Yeah, but what about little James?

Well, James gets knocked around a bit. Before he’s ten, he’s kidnapped, jailed, exiled, and kidnapped again, this time by his father’s agents, who dump him into the household of his father’s gentleman of the bedchamber, where he’s barely educated. 

Gentleman of the bedchamber? It’s not a lascivious as it sounds. He dresses the king, waits on him when he eats alone, and generally hangs out with him. 

At some point, Charles wakes up, says, “Didn’t I have a kid around here somewhere?” and brings him to court, where he becomes a favorite and is turned into a Duke and given a bunch of other titles that if you’re not used to British traditions sound like something JK Rowling made up. He also has a variety of income streams arranged for him. When he’s older, he fights for the king here and there and gains quite the reputation as a soldier. He joins the privy council.

So far, he barely justifies a footnote to history, but the thing is, James is a Protestant and a king’s son, even if he wasn’t born with the right paperwork.

But hold on a minute. His mother (who’s now conveniently dead) always claimed that she’d been married to Charles, and since marriage records haven’t been computerized yet, no one can prove she wasn’t, even if, equally, no one can prove she was. That makes it possible to build a case that he should be the next–safely Protestant–king. So schemes to set James on the throne buzz around him like flies around roadkill.

Eventually he gets involved in a conspiracy, the Rye House Plot (it would’ve involved killing the king and his brother). After a bit of back and forth James goes to live in the Netherlands.

 

And doesn’t live happily ever after

Instead, when Charles dies, James–

But let’s call him Monmouth from here on. It’ll help us remember who’s the king (James, Charles’s brother) and who’s the wannabe (also James, Charles’s son a.k.a. Monmouth). 

So Charles dies and Monmoth launches a full-scale rebellion–or invasion if you prefer–that’s coordinated with an anti-Catholic Scottish rebellion in the highlands.

Why the Scots? Well, England and Scotland are two separate countries, but they have a single king, and if you think that’s confusing try to explain the pronunciation of Worcestershire to someone who learned to read English using phonics. 

The Scottish rising fails while Monmouth’s still crossing the Channel, though, leaving him and 82 men to land in Lyme Regis (that’s in Dorset, in the southwest) without anything to distract the government’s attention. 

Why such a small force? Monmouth’s counting on the country to rise in his support, and initially that seems to work. He’s popular in the southwest, and he gathers an army of 3,000, which is a nice number, trailing an appealing collection of zeroes. The problem with them is that none of them come from the gentry–the people with some soldierly training. He has an army of enthusiastic amateurs without much in the way of weaponry. 

By another count, his army is uphill of 1,000.  How far uphill? Will you stop splitting hairs? We’ll never get out of here. 

Monmouth’s not exactly claiming the throne at this point, just saying he has a right to it but will only take it with Parliament’s agreement. Let’s not split hairs, though. A lot of his followers call him King Monmouth, and they have time to defeat a few county militias before the king’s army arrives. Commoners and the poor flock to his banner, and in Taunton he’s proclaimed king. By now, he has some 6,000 soldiers. 

We’ll skip the back and forth. Monmouth’s and the king’s armies meet at Sedgemoor and Monmouth loses badly. After the battle, his soldiers are hunted down and killed on the spot. (They were commoners anyway, and you can do that to commoners and still sleep at night.) Some 200 who are caught later are tried before being killed. Another 2,000 are transported to the West Indies to work–in a weird and little-known footnote to history–to work alongside slaves from Africa.

Or by that other count, 320 executed and 800 transported. By a third, it’s 333 and 860. Let’s treat the numbers as rough guesses. 

Men, women, and children with remote connections to the rebellion are flogged. Monmouth is captured and executed. 

David Horspool, whose book The English Rebel I rely on whenever I write about rebellions (and I’m a sucker for a good rebellion), thinks Monmouth’s failure was a result of rushing into his rebellion instead of waiting for James to discredit himself. 

 

What happens then?

James discredits himself. He interprets Monmouth’s defeat to mean that the country values stability above everything else and overestimates their tolerance for religious tolerance. He appoints Catholics to important positions, most controversially to positions in the military. He grants for all religions more leeway than they’ve had. And when I say “all religions” here, we do seem to be talking about all religions, including Jews, Muslims, and dissenting Christians. As far as I know, that’s the limit of England’s religious population at this point.  He When judges, justices of the peace, and lords lieutenant resist his moves, he fires them and he comes into conflict with Parliament–nothing new for kings, but the whiff of Catholic incense hanging over the conflict supercharges the reaction he gets.  

Is he genuinely trying to build a state that tolerates multiple religions or is he making sneaky moves toward a Catholic state? I don’t know, but a lot of powerful Church of England Protestants think they do. They believe he’s favoring Catholics and setting the building blocks of a Catholic state in place. 

There’s something very contemporary about that fear, don’t you think? Just slot a more modern into place and the rhetoric’s the same. Immigrants, Muslims, Black people, whoever. There’s a lot of it going around. I know you’ve heard it.

 

Why does any of this matter?

Because it sets up the Glorious Revolution, which hits the Eject button that’s been quietly installed on James’s throne, replacing him with a Protestant monarchy. 

But that’s a story for another time. 

Everything we don’t know about Aphra Behn

The first English woman to make her living entirely as a writer was Aphra Behn. She’s known to have been born, to have been a spy, to have been a writer, and to have died. After that, information about her ranges from the sketchy to the questionable. 

What could be more fun than writing about someone nobody knows much about?

She was born in 1640. Her father might have been a barber and her mother might have been a wet nurse. They might also not have been. 

Her last name might have been Johnson. She might have been adopted. 

Since we can’t sketch in her family, let’s sketch in the times she lived in: The English Civil Wars ran from 1642 to 1651. In 1660, the Stuart kings settled their hind ends back on the throne they’d been lusting after. So she grew up in turbulent times and was twenty at the start of the Restoration, which is a fancy name for the aforesaid Stuart hind end settling back on that throne.

Irrelevant photo: This is one of about a dozen big, flat wildflowers that don’t look alike but are similar enough that I doubt I’ll ever learn their names.

She may or may not have spent some time in Surinam.

Suri-what? A small country in South America. It was an English colony until 1667, when it became Dutch. Under the English, it evolved into a place of sugar plantations and slave labor, which gets an early mention because it feeds into one of Behn’s books. 

(It’s irrelevant but interesting to note that the Parliamentarians–the folks who threw out the Stuart kings–were no more opposed to slavery than the Royalists were. That won’t be on the test. In fact, there won’t be a test. This is a blog. You can stop reading right here if the mood takes you.) 

If Behn had been a man, an aristocrat, or a religious nonconformist, she’d have left more information behind, or so say Abigail Williams and Kate O’Connor in an essay. The surprise in that, for me, is the nonconformists. They were prone, both the men and the women, to keeping spiritual journals. 

In 1664, Behn married a merchant named Johan Behn, although the marriage might not have lasted long. He might have died the next year. He might not have. Either way, that’s the last we’ll hear of him. 

She was a royalist spy in Antwerp during the Anglo-Dutch War. If she was in Surinam, she might have been there as a spy. 

Of course, she also might not have been in Surinam as a spy. 

She might not have been in Surinam at all. 

Don’t you love history?

Spying wasn’t a good way to get rich. According to one source, she wasn’t paid at all and had to borrow money to get home from Antwerp.

That leads to our next questionable statement: She ended up in debtors prison, according to one source (a different one this time) for “debts she incurred in service to the crown.” None of the other sources I’ve found mention the reason for her debts. In fact, the British Library entry on her says there’s no documentation that she was ever in debtors prison.

If she was, though, either somebody ponied up the money needed to break her loose or she started writing as a way to get herself out. Either way, write she did, and back then it was a better way to make money than it is today. Writing was still the hot new medium. You know how parents yell at their kids to get off their phones and turn off their computers? “Go read a book and learn something,” they say. Well, back then parents yelled at their kids to put down their books, get out in the fresh air, and be ignorant.

Yes, every last parent. Every last kid. That’s how you can tell what the hot new medium is: Parents are appalled by it.

Now we’ll take a quick step back. Bear with me. Before the Restoration, the theaters were closed. They were frivolous and led to perdition and fun. Then the king sashayed back to London, the party began, and theater companies were licensed. It wasn’t exactly a new medium, but it was hot all the same.

Behn started working for two of the theater companies that had started up, first as a scribe, then as a playwright. Fittingly, the timelines I’ve seen are contradictory, but her first plays either were or weren’t commercial successes, but either a later or the first one was. But forget which play it was, one of them ran for six nights, and that counted as a smash hit. The income from the third day (and the sixth if there was one, and the ninth if miracles should occur) of a run went to the author, so she got the income from two nights. 

She went on to write and publish an assortment of other plays, some successful, some not, and one–now lost–a complete disaster, involving an arrest for an abusive prologue (or epilogue–take your pick) attacking the Duke of Monmouth. She was (probably) let off with a warning. 

Nope, I have no idea what it said. It’s lost. Sorry. 

Some of her plays were definitely her plays. Others might have been her plays but might have been someone else’s. During her lifetime, a lot of her work was published anonymously, which helps explain the murkiness over what was her work and what wasn’t.

She also published novels and poetry. 

She had a couple of lovers. One of them, John Hoyle, is believed to have written the epitaph (not to be confused with that troublesome epilogue) that’s on her tombstone: “Here lies a proof that wit can never be Defence enough against mortality.”

She died in 1689, at forty-nine. 

So what did she have to say? Well, in her novel Oroonoko, the narrator swears the story’s true, that she either saw everything in it  or was told it by its hero, thus muddying the autobiographical waters by pouring fiction into alleged fact. The book’s unusual in English literature in its choice of hero, an African prince sold into slavery in Surinam. Behn wasn’t not free from the prejudices of her time and place–who is?–but she allowed him his humanity, something it took European writers and their descendants centuries to find their way back to.

She also wrote about sex–about women enjoying sex and about men sometimes failing to enjoy it, much as they would have liked to. “The Disappointment” is full of seventeenth century roundaboutness, but it’s also frank: The man couldn’t get it up. 

 

      . . . In vain th’ enraged Youth assaid

      To call his fleeting Vigour back. . . .

      In vain he Toils, in vain Commands,

      Th’ Insensible fell weeping in his Hands.

 

After Behn died, Memoirs on the Life of Mrs Behn. By a Gentlewoman of her Acquaintance was published, further blurring the line between fact and fiction. The gentlewoman was probably a man named Charles Gildon, who drew heavily on her fiction, along with her letters, to piece together a life, leaning heavily on sex to sell the story.

Behn went out of fashion in more prudish centuries and–well, Restoration literature doesn’t draw a mass audience anymore, but feminists since Vita Sackville-West and Virginia Woolf have been rediscovering her, reinterpreting her, re-appreciating her, and in Sackville-West’s case reimagining her from the ground up. 

Which given the gaps in her story is easy to do. You have no facts to lean on but you also have none to contradict you.