Ah, romance: the U.K. letterbox and the U.S. mailbox

Ever since I moved to Cornwall, I’ve been running into people who romanticize the U.S. Maybe it’s because they’ve seen it in movies or on TV. Maybe it’s because they like the music. Maybe it’s for reasons I haven’t even guessed at. I spent most of my life the U.S. That makes it hard for me to see the romance.

During Hollywood’s golden age (when that was that? you should know better than to trust me with numbers, so let’s acknowledge the question and skip right on over it), photographers smeared their lenses with vaseline in order to give actresses a golden glow. Or, if you prefer, a nice blurry look. Let that stand as an example of how to romanticize something. You need distance. You need blur. You need vaseline.

I don’t know how they cleaned their lenses, but that’s a different issue.

Vaguely relevant photo: The view from St. Materiana Church. If you know where to look, there's a castle out there. What's more romantic than that? Photo by Ida Swearingen

Vaguely relevant photo: The view from St. Materiana Church. There’s a castle just out of sight on the right. What’s more romantic than that? Photo by Ida Swearingen.

I don’t know how many people in Britain romanticize the U.S., only that some do. Hawley’s Small and Unscientific Survey, which is as random as it is unscientific, has never tackled the subject because Hawley can’t figure out what question to ask. Every so often I hear something that files itself under Romanticizing America. That’s the best the survey and I can do.

I do know that people have odd impressions of the U.S. The most common one is that we all live in big houses—either McMansions or the kind of apartments you’d see in a Woody Allen film.

Stop laughing, you Americans, because our images of the U.K. are just as out of kilter. In a letter once, I told a well-read friend in northern Minnesota that a nearby town drew a lot of surfers.

“Surfers?”  she wrote back. Her images of England, she said, came out of Dickens. None of Dickens’ characters owned a surfboard. So what were we doing with surfers?

In fairness, she knew how absurd that was, but knowing a thought’s absurd doesn’t stop it from operating.

And for those of you who know enough not to confuse England and Cornwall, I remind you that when you’re an ocean away, it all gets a little–well, vaseline-y.

My latest (and somewhat questionable) example of romanticizing America came to me as follows: Earlier this week, A. and I were stuffing leaflets through the neighbors’ letterboxes. This isn’t a romanticizable activity. Letterboxes are cleverly designed to keep things out, not invite them in. This is good if you own one, because it keeps the wind from banging the flap around and blowing into your living room. It’s bad if you’re trying to stuff paper through, because as you push the paper in the flap resists with all its inanimate might.

The leaflets were about a massive reorganization of the National Health Service that the government’s forcing through. It will cut services, close some hospitals, and generally make a mess out of things. What sort of nutburger would oppose that? I doubt we’ll be able to stop it, but we can at least make it more difficult. And, if the political winds are kind, build a base to reverse the damage in the future. We’ve organized a meeting in the village where people can learn about it (it hasn’t been well publicized) and (since the farce of public consultation is required) voice their opinions.

A couple of houses from mine, a couple I know, J. and P., saw me coming and said hello.

“Can I just hand you this rather than fighting with your”—and here, if I remember right, I stumbled around a bit, my brain running through post slot and mailbox before I landed on what (I think) is the correct term, letterbox, which I find hard to remember because the object in question isn’t, on most houses, a box but a slot in the door.

If you’ve been around Notes for a while and have a better memory than I do—which isn’t hard—you may remember that we went through this once before. I should know the right word by now. I don’t. Or not with any certainty. I mean well, but the word just doesn’t stick.

P. accepted the leaflet while I explained that I’d almost lost a fingertip to a particularly vicious letterbox (and here I pointed in its vague direction in case they wanted to avoid it on their walks), and P. said there was one like it at the top of our street.

J. delivers the village newsletter, and P., who retired very recently, either helps out or is an equal participant. Either way, they know their letterboxes.

Then—and I’m coming to my point any minute here—he said, “You have those boxes in the U.S.” His hands shaped the dome of the archetypal American rural mailbox. Something about either his hands or his voice convinced me that they seemed romantic to him, although I admit I didn’t ask. But it made a kind of sense. If they haven’t been worn down daily contact, even the oddest things can seem romantic. I’ve known Americans who fall in love with the British pillar mailboxes because they’re red and they’re shiny and they’re–well, British. They’re also postboxes and not to be confused with letterboxes. They’re the things you post your mail into, not receive your mail in.

Clear?

You don’t—for reasons I’ll never understand—mail a letter in this country. You post it. Even though you’re handing it over to the Royal Mail, not the Royal Post. Because the word usage is foreign to me, I’m sure I could romanticize it. I don’t, as it happens, and pillar postboxes don’t do anything for me either. But I’m a fool for thatched roofs. And I do kind of like the squarish postboxes when they’re set into stone walls. I mean come on now, that’s romantic.

Either J. or P. suggested that I write about mailboxes. Or postboxes. Or letterboxes. Or, well, whatever they are’s. If I hadn’t just endangered my fingers in one, I’d have shrugged off the idea. But knowing what I do about how vicious the beasts can be on this side of the Atlantic, I’m ready to tell you everything I know.

So here’s what I know about American mailboxes, and it isn’t much: With rare exceptions, those domed things that look like miniature Nissan huts aren’t used in cities. They’re rural. Why? Because. In the cities we have—well, where I’ve lived houses have rectangularish boxes of one sort or another, usually on the outside wall. In Minnesota, it’s too cold to run around cutting holes in the doors, even for the privilege of getting mail. At all costs, you want to keep the cold outside and the heat inside.

If you live in an apartment building, you might have a mailbox on or set into a wall in the entryway or lobby, but then you also might pick your mail up off the floor where the letter carrier dumps it. Or half a dozen other things might happen to it. As far as I can figure out, it’s up to the landlord to set up a system. Or not, in the case of it getting dumped by the door.

Romantic, right?

There’s a joke I’ve seen played with the rural boxes: Someone mounts theirs on a pole with a sign on it saying Mail. Then they mount one 10 or so feet above it. The sign on that one says Air Mail. I’d guess that at least one person plays that joke in every county in the country, but it makes me laugh anyway.

I was told once that it’s illegal to stuff flyers in people’s mailboxes in the U.S. because they all belong to the post office. I have no idea whether that’s true—the post office doesn’t buy them, so I don’t see how they own them, and before we left the U.S. I lifted many a pizza delivery ad out of our mailbox without calling either the police or the post office, but political flyers tended—in an excess of legality—to get stuck in the door, so maybe it is true.

Everything I know about British mailboxes I already wrote above. Two things are worth repeating, though: 1, They can be vicious. 2, they’re very romantic.